SOURCE: “Egeon's Debt: Self-Division and Self-Redemption in The Comedy of Errors,” in English Literary Renaissance, Vol. 10, No. 3, Autumn, 1980, pp. 360-83.
In the essay that follows, Freedman defends The Comedy of Errors against criticism that contends it is an early and immature effort by tracing the problem of identity in both the frame plot and the main plot.
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