Julian Symons seems to be deliberately trying, in ["The Belting Inheritance"],… to see to what extent a first-rate professional can animate such moldy stencils as the will-changing old lady and the long-lost claimant who may be an impostor. His success is astonishing, especially in view of the fact that he sets himself the further problem of writing from an 18-year-old viewpoint. This exercise in virtuosity (especially brilliant in its scenes of a young man's discovery of Paris) is far removed from the serious novels of character and society which we have come to expect from Symons—but it is highly enjoyable on its own terms.

Anthony Boucher, "Criminals at Large," in The New York Times Book Review (© 1965 by The New York Times Company; reprinted by permission), July 21, 1965, p. 12.∗