Authors had created monsters before, many whose names became synonyms for terror, but none of them had been treated with such objectivity or presented with such incredible mastery of style [as Theodore Sturgeon's monster in It].
"Styles" would have been the better term, for the author was a virtuoso, possessing an absolute pitch for the cadence of words, altering the mood and beat of his phraseology with the deliberateness of background music in a moving picture. (p. 230)
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