In Mark Strand's best poems [in Sleeping with One Eye Open] a fuzzy, peripheral, half realized terror seems about to take shape. The tension is that if the terror materializes, becomes specific, the poet will be run out of the house of himself. Mr. Strand's poems are, therefore, new houses to dwell safely in. He builds them methodically, so they have strong textural walls with no loose joints or cracks. The tone is often flat and prosy, as if to diminish and control threatening feeling. The effect though is the opposite, to release feeling. Many of these poems are admirable houses. (pp. 196-97)

A. R. Ammons, "Seven Books by Eight Poets," in Poetry (© 1966 by The Modern Poetry Association; reprinted by permission of the Editor of Poetry), Vol. CVIII, No. 3, June, 1966, pp. 191-97.∗