The reaction of reviewers to Tom Stoppard's Jumpers … reflects the critics' suspicion that in his plays Stoppard indulges in startling stage antics, erudite allusions, and involved puns in order to disguise deficiencies in insight and make shallow plays appear profound. (p. 354)
Jumpers, one of Stoppard's most erudite works, illustrates the problems his use of research can pose for the reviewer. The philosopher-protagonist, George Moore, spends most of his time arguing for a belief in God and moral absolutes and against the materialism and moral relativism of the "jumpers," the logical positivists who compose the philosophical establishment at his university. Besides being uncertain about the relevance of the murder plot to this argument, reviewers were unsure about the very basic question of which side, if either, Stoppard intended to have win the argument…. Other difficulties posed by the play are why Stoppard chose to name his hero G. E. Moore after the British intuitionist philosopher, and whether Bones, a major character, is merely an appendage to the mystery plot or relates to the philosophical debate in a significant way.
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