[Steinbeck's] first nine works were markedly different one from another in matter and tone and style. He shifted sharply and with a show of ease from costume drama to fantasy at once earthy and lyric to knockabout farce to abrasive naturalism to argument none too successfully disguised as narrative, proving that he could do more or less creditably in a number of fictional forms, even if in none did he demonstrate the mastery and finesse of indisputable greatness.
But though his books might show contrast in form, pace and diction, they inevitably had certain things in common. For example, binding together the now rather extensive body of novels, short stories, sketches, plays, is the California setting, and specifically the Salinas Valley setting, of most of his productions. (p. 119)
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