The central problem of socialist realism today is to come to terms critically with the Stalin era. Naturally this is the major task of all socialist ideology. Here I will confine myself to the field of literature. If socialist realism—which in consequence of the Stalinist period became at times a disdainful term of abuse, even in the socialist countries—desires to regain the level it had reached in the nineteen-twenties, then it must rediscover the way to depict contemporary man as he actually is. However, this way necessarily leads through a faithful portrayal of the Stalinist decades with all their inhumanities. Against this, the sectarian bureaucrats raise the objection that one should not rake up the past, but only describe the present. The past is said to be done, already completely outmoded, vanished from the present. Such a claim is not only untrue—the way in which it is presented demonstrates the still extremely influential presence of the Stalinist cultural bureaucracy—but it is also completely meaningless. (pp. 10-11)
Without uncovering the past … there is no discovery of the present. Solzhenitsyn's One Day in the Life of Ivan Denisovich is a significant overture to this process of literary rediscovery of the self in the socialist present.
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