As a religious man Solzhenitsyn is no doubt humble; as a writer he is sublimely conceited. Conceit rather than pride seems to be the word, for pride goes with humility, and Solzhenitsyn is still, and no doubt always will be, the fearless, intelligent, self-centered prig whom he portrayed with such endearing accuracy in "Prussian Nights."… (p. 3)
There are two Solzhenitsyns, one the believer, the sublime prig, the only man in step; the other, the novelist who watches himself as acutely as he does other people, who looks into himself and them with the penetrating eye of a Tolstoy, but also with the same worldly understanding, the same charity. Certainly, without drawing any other comparisons, one can see repeated in Solzhenitsyn the same Tolstoyan dualism between novelist and prophetic sage….
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