SOURCE: "The Offstage Mob: Shakespeare's Proletariat," in Shakespeare and Cultural Traditions: The Selected Proceedings of the International Shakespeare Association World Congress, Tokyo, 1991, edited by Tetsuo Kishi, Roger Pringle and Stanley Wells, University of Delaware Press, 1994, pp. 54-75.
In the following essay, Greer considers representations of social class in the audiences, players, and characters of Shakespearean drama.
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