Clearly Smith has refined and polished his own poems with unremitting care. His subtle imagination and skilful craftsmanship most strikingly display themselves in the poems ("Shadows There are," "Ode: The Eumenides," "The Bridegroom," "News of the Phoenix," "Like an Old Proud King in a Parable," and "The Plot against Proteus") which most clearly derive from the poetic strategy learned, through Eliot, Stevens, Edith Sitwell, and the later Yeats, from the Symbolistes. If a few of these poems produce an effect of airlessness, that may be because they seem to have been composed on the same principle as some of Mallarmé's sonnets: imagery, rhythm, and incident evoke the emotional quality of an experience without defining it. A small narrative is stated or implied in words and images which contrive to be at once precise and mysterious—"an artificial, beautiful, and cubist world."

In a few slightly later poems...