Red Cross is an enigmatic play on many counts, the playwright having left out a great deal of information ordinarily thought pertinent. He avoids elements of exposition, like identification of the scene and of the relationship of Jim and Carol. He avoids delineation of character, such as whether Jim is psychotic, playful or merely young. He leaves unclear the intention of the action: are the calisthenics symbolic masturbation, is the swimming lesson symbolic intercourse? Even his theme is elusive: is the encounter essentially between youth and maturity, man and woman, son and surrogate mother, or physicality and spirituality? His obvious symbols are ambiguous too, like the trickle of blood that appears on Jim's face at the end of the play, which could be an emblem of his having been defeated by the maid, or merely the testament of his lively lice—if, indeed, the lice were real in...