SOURCE: "Sex, Power, and Pedagogy in Mamet's 'Oleanna' and Ionesco's 'The Lesson'," in American Drama, Vol. 5, No. 1, Fall, 1995, pp. 36-50.
In the following essay, Foster compares David Mamet's Oleanna and Eugène Ionesco's The Lesson, concentrating on how the former dramatizes the ambiguities of sexual politics and conflict.
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