SOURCE: “Weill Away,” in The Spectator, Vol. 203, No. 6846, September 11, 1959, pp. 331-32.
In the following review of the London debut of Cock-a-Doodle Dandy, Brien faults the eloquence of O'Casey's dramatic language, which, in his opinion, detracts from the action and motivation of the play.
This is a free excerpt of 46 words. There are 626 words (approx.
2 pages at 300 words per page) in the full critical essay.
Read the rest of this Criticism with our Sean O’Casey: Critical Review by Alan Brien Access Pass.
