SOURCE: “As London Sees O'Casey,” in The New York Times, November 3, 1929, p. 4, section 9.
In the following review of The Silver Tassie, Morgan assesses the strengths and weaknesses of the dramatic techniques found in the London production, claiming that O'Casey's political prejudices hurt the aesthetic dimension of the play.
This is a free excerpt of 51 words. There are 964 words (approx.
3 pages at 300 words per page) in the full critical essay.
Read the rest of this Criticism with our Sean O’Casey: Critical Review by Charles Morgan Access Pass.
