Martin Scorsese Critical Essay | Critical Essay by David Ehrenstein

SOURCE: The Scorsese Picture: The Art and Life of Martin Scorsese, Birch Lane Press, 1992, 254 p.

In the following excerpt, Ehrenstein examines Scorsese's career and filmmaking techniques.

Halfway through Taxi Driver, director Martin Scorsese turns up in an acting role, playing a fare picked up by the film's cabbie hero, Travis Bickle. As the cab comes to a stop at a street corner, Scorsese is seen in the passenger seat—neatly dressed in a dark suit, with carefully groomed beard and mustache. It is very late at night.

"Put the meter back," he orders Travis sharply. "Let the numbers go on. I don't care what I have to pay. I'm not getting out. Pull over to the curb. We're gonna sit here." Closing his eyes, he sits calmly for a moment, then continues his speech: "You see that light up there? The woman on the second floor? See the woman...
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