The slyly clever stories that Schwartz wrote, as well as his rueful, contemplative poems, can leave some readers cold. These stories and poems are associated with the span of influence enjoyed by "the New York intellectuals" from 1937 to, say, 1960, an influence deriving from a special blend of opinion and sensibility: anti-Stalinist left, aggressively modernist, brashly high-brow, freeswinging cosmopolitan, uneasily Jewish. All in all, this adds up to a pretty stiff dose for certain kinds of American literary people. Especially stiff for the academic "traditionalists" straining for Anglo-Saxon attitude and the anti-academic redskins declaring themselves just folks. The New York sensibility had its moment, and that moment is over….
[Embarrasment] regarding his cultural sources, his literary role, his large, awkward body is one of the persistent motifs in his work….
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