SOURCE: "The Sense of Ending: Sartre's 'The Wall'," in Modern Language Studies, Vol. XVIII, No. 3, Summer, 1988, pp. 46-52.
In the following essay, Argyros responds to critics who consider the conclusion of the story "The Wall" flawed by arguing that Sartre's ironic ending is a "result of the marriage of the theoretical presuppositions of existentialism with the rules of narrative prose."
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