SOURCE: "Refusing to be Boxed In: Sonia Sanchez's Transformation of the Haiku Form," in Language and Literature in the African American Imagination, edited by Carol Aisha Blackshire-Belay, Greenwood Press, 1992, pp. 21-36.
In the following essay, De Lancey asserts that "As [Sanchez textualizes the form, forging her Afrocentric vision and Afrocentric structure within the discipline of the haiku form, she moves closer to a unique structure that carries her own signature."]
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