SOURCE: Mayoux, Jean-Jacques. “The Theatre of Samuel Beckett.” Perspective 11, no. 3 (autumn 1959): 142-55.
In the following essay, translated from the French version originally published in the October 1957 issue of Etudes Anglaises, Mayoux highlights Beckett's “laying open” the essence of human existence in Waiting for Godot, Endgame, All That Fall, and The Unnamable.
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