[One] can say, in dubious celebration of Salinger, that The Catcher in the Rye is the one book that the adolescent novel comes from. It is a difficult, deceptive heritage; satirical and ostensibly designed to offer a clearer mode of life and thought than that which the heroes witness. But certainly in Salinger's case …, there really are no alternatives. One's only salvation is to remain a child.
Even in his works about the Glass Family, where he has turned to the adult world, Salinger is still celebrating childhood. While the Glass family can get quickly under one's skin, the books ultimately do not satisfy because the characters never quite get past what Zooey himself termed their "tenth-rate nervous breakdowns," never accepting or confronting the ills of the adult world that so oppress them. They remain Salinger's children, sanctified and damaged by their sensibilities.
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