[Zuckerman Unbound, avowedly a sequel to The Ghost Writer, is] in many ways a repetition which moves to a similar conclusion. It would seem that not only is Roth obsessed with the relationship of art to life, but particularly obsessed with the relationship between art (or the life he writes) and life (the life he actually experienced and remembered)—how much is transformation (art) and how much is mere transcription (betrayal)? I say "Roth" but, in line with this whole problem, he can side-step or back-step here. Zuckerman has written a best seller called Carnovsky. As it happens—as it happens—it is about a young Jewish boy growing up in Newark, his compulsive onanism, his sexual obsessions, etc. As it happens, this sensational and notorious novel was published in 1969 (like Portnoy's Complaint) and brings Zuckerman a degree of fame, fortune, and notoriety which prove to pose as...