I've always enjoyed Trina Robbins' artwork and style. It is a happy medium polished overground art and on the other side of the spectrum, those trashy, poorly-drawn comix I can't stand to look at….
[Scarlett Pilgrim follows] Scarlett, a San Francisco "working girl," and an older, retired hooker named Dollface, who both get involved as pawns in some C.I.A. derring-do in a Middle-East-type foreign country, getting tangled in a political revolution. For entertainment, Scarlett finds herself in the bedsheets of every important governmental or guerrilla leader in the fictional country Bahraq.
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Read the rest of this Criticism with our Robbins, Trina 1938–: Critical Essay by Nick Chinn Access Pass.
