SOURCE: Marder, Elissa. “Blade Runner's Moving Still.” Camera Obscura, no. 27 (September 1991): 89-107.
In the following essay, Marder discusses the interplay between artificial and organic beings in Blade Runner and examines questions of filmic representation regarding the relationship between human spectators and visual technology.
This is a free excerpt of 44 words. There are 8,086 words (approx.
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