It may take all kinds of people to make a world, but in Conrad Richter's mind one kind stands out above all others in the winning of the American Southwest. He has centered his group of romantic stories ["Early Americana and Other Stories"] around pioneer men as granite-faced as the canyon walls, as tight-lipped as the desert itself, and beside them … he has placed the same familiar breed of pioneer woman—the stoical, stiff-spined, resolute mate….
This author sets his stories in the small, outlying clusters of settlements still menaced in the last century by raiding Indians. The houses lie "like a handful of children's blocks thrown and forgotten on the immensity of the prairie," but in them are the unsung heroes of Mr. Richter's re-created West. Harte's Poker Flat and Roaring Camp and the sinks of sin which Wister's Virginian knew are outside their experience. Their eyes are big with far horizons and the starker experience of nature and the trail.
This is a free excerpt of 161 words. There are 401 words (approx.
1 page at 300 words per page) in the full critical essay.
Read the rest of this Criticism with our Richter, Conrad (Michael) 1890–1968: Critical Essay by Stanley Young Access Pass.