[Canadianism and Jewishness] jointly form the main theme of [Richler's] fiction and the chief concern of all his writing. His novels deal, in general, with the large national problem of assimilating a Canadian identity out of disparate racial and cultural elements and, in particular, with the process of assimilating Jewish elements into an integrated Canadian culture.
Richler's first full-length work of fiction, The Acrobats, may be regarded as a beginner's novel. Its chief technique is to string together some of the author's most worrying dissatisfactions into a pastiche that is only mildly satirical. The satire is not completely effective because the writing is too derivative, relying more on the over-used jargon of literary idols like Hemingway and Dos Passos rather than on an individual style that bears the stamp of the author's own personality and conviction. Indeed, the most striking feature of this first novel is that the author has no firm or sincere convictions. His philosophical ideas are unstable and imprecise and represent a spontaneous overflow of merely personal grievances whose principal intention, it seems, is to afford the author psychological relief rather than express balanced or thoroughly digested opinions.
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