SOURCE: Miller, James A. “Bigger Thomas's Quest for Voice and Audience in Richard Wright's Native Son.” Callaloo 9, no. 3 (summer 1986): 501-06.
In the following essay, Miller argues that the concluding scene of Native Son illustrates Bigger's recovery of his voice, which “not only undermines the argument that Max functions as a spokesman for Wright's political views but also challenges the view that Bigger himself is inarticulate.”
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