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Critical Essay | Critical Essay by Stephen Brown

This literature criticism consists of approximately 7 pages of analysis & critique of Richard III (play).
This section contains 1,882 words
(approx. 7 pages at 300 words per page)
Purchase our Richard III - Critical Essay by Stephen Brown

Critical Essay by Stephen Brown

SOURCE: Brown, Stephen. “Do We Like Him Now?” Times Literary Supplement, no. 5166 (5 April 2002): 24-5.

In the following review of Richard III directed by Michael Grandage in 2002, Brown analyzes Kenneth Branagh's Richard, finding his performance intelligent and complex. The critic concludes, however, that Branagh's characterization contributed to “a very good production, rather than a great one.”

Michael Grandage's production of Richard III at the Sheffield Crucible is built around Kenneth Branagh. There are few “concepts” and the only major one, as we shall see, relates to Branagh's characterization. The costumes are non-specific medieval-modern hybrid, tunics and greatcoats with the young princes in trainers. The set, by Christopher Oram, a bare, grey stone floor on the thrust stage with a backdrop of pillars, is similarly generic and unobtrusive. The characters move swiftly across the open playing space, scenes almost overlapping. Tim Mitchell's grand schematic lighting, with banks of...
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This section contains 1,882 words
(approx. 7 pages at 300 words per page)
Purchase our Richard III - Critical Essay by Stephen Brown
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Richard III - Critical Essay by Stephen Brown from Literature Criticism Series. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.
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