SOURCE: Brown, Stephen. “Do We Like Him Now?” Times Literary Supplement, no. 5166 (5 April 2002): 24-5.

In the following review of Richard III directed by Michael Grandage in 2002, Brown analyzes Kenneth Branagh's Richard, finding his performance intelligent and complex. The critic concludes, however, that Branagh's characterization contributed to “a very good production, rather than a great one.”

Michael Grandage's production of Richard III at the Sheffield Crucible is built around Kenneth Branagh. There are few “concepts” and the only major one, as we shall see, relates to Branagh's characterization. The costumes are non-specific medieval-modern hybrid, tunics and greatcoats with the young princes in trainers. The set, by Christopher Oram, a bare, grey stone floor on the thrust stage with a backdrop of pillars, is similarly generic and unobtrusive. The characters move swiftly across the open playing space, scenes almost overlapping. Tim Mitchell's grand schematic lighting, with banks of spotlights carving...