SOURCE: “Representation and Experimentation in the Major Comedies of Richard Brinsley Sheridan,” in Eighteenth-Century Studies, Vol. 25, No. 3, Spring, 1992, pp. 309-30.
In the following essay, Wiesenthal studies Sheridan's concern with modes of artistic representation in The Critic, The School for Scandal, and The Rivals.
This is a free excerpt of 45 words. There are 8,254 words (approx.
28 pages at 300 words per page) in the full critical essay.
Read the rest of this Criticism with our Richard Brinsley Sheridan: Critical Essay by Christine S. Wiesenthal Access Pass.
