The poetic theory and practice of Kenneth Rexroth … run counter to the impersonality of much modern literature and criticism…. Rexroth's "progress" as a poet has been a continual revelation of personality, the realization of a selfhood. But he is neither exhibitionistic, like Rimbaud or Lord Byron, nor confessional, like Robert Lowell or Anne Sexton. When he writes about himself, he does so objectively, taking himself for granted. Usually, his attention is fixed on other people, or on his relationships with other people…. (p. 18)
Even when technical terms from the sciences, philosophy, or theology enter his work, as they frequently do, along with historical and literary allusions, his phrasing is that of living American speech; and his own unmistakable voice comes through. His thinking, no matter how abstract and lofty, emerges from down-to-earth, sensuous experience; and his conversational idiom, tone, and rhythms unite subtle ideas with vivid, evocative imagery. (pp. 18-19)
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