A "favourite" crime or thriller writer is, to me, one the whole corpus of whose work I sit down and re-read every now and again. Next in line to the favourites—or, as I would call them, the classics—are the writers the whole oeuvre of whom I can imagine myself re-reading in five or ten years time. The essence of the character of a near-favourite is, of course, that one cannot be certain of that future pleasure: one can only hope for it….
In Ruth Rendell's Shake hands for ever … the dyspeptic Inspector Wexford is called to a curious murder scene. A much loved, but sluttish second wife is found murdered in an immaculately clean house by her implacably hostile mother-in-law. Wexford knows that the husband is the killer (I am betraying no secrets that Mrs Rendell does not give away, and there is a twist I have not revealed) but is hauled off the investigation after over-eagerness, and pursues it privately for more than a year with the aid of his superior copper son-in-law, with whom he came to terms in the last adventure….
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