Renault's novels fall into two distinct periods, the first comprising several short psychological melodramas written during and after the Second World War and noteworthy for their offbeat themes, excellent structure, and sharp characterization. Her second period consists of historical novels covering various stages of ancient Greek history. Each volume in this series has resulted in an increase in Renault's reputation and popularity. Her recent novels on the life of Alexander the Great, atypically panoramic in scope, romantic in theme, and controversial, were immensely popular and represented a major shift in her main character focus by dealing directly with a figure who had immense impact on his age and on history.
The Praise Singer is less ambitious in scope and represents a return to Renault's earlier formula of selecting a relatively obscure but representative historical figure and telling his tale against a backdrop of personalities and politics during a crucial stage of ancient Greek history. The present character is Simonides the Poet, and his tale is in the form of memoirs reluctantly dictated by the poet in his old age. Simonides laments the erosion of traditional values in a cultural system that has changed dramatically and frequently during his long lifetime. His is a tale of fierce dedication and pride in his craft….
This is a free excerpt of 211 words. There are 365 words (approx.
1 page at 300 words per page) in the full critical essay.
Read the rest of this Criticism with our Renault, Mary 1905–: Critical Essay by R. Mcgeehin Access Pass.
