Neither in length, scope, nor importance can the work of Erich Maria Remarque, whose novel, Im Westen nichts Neues [All Quiet on the Western Front] (1928), became a world sensation, be compared to the epic achievement of [Arnold] Zweig. Its success will perhaps never be satisfactorily explained, but one fact seems certain: it cannot be due exclusively to extraordinary merit.
Remarque is an artist. By his impressionistic talent he knows how to draw characters and situations that engage attention and arouse deepest sympathy. His language is versatile and concise; his narrative is rich in contrast of situations and reflections, and his composition is done with a brilliant stage technique. Lyric and idyllic scenes alternate with the most lurid and coarsest sort of realism. The intricate problems of life and of the War are cleverly reduced to such plain propositions that even the poorest in spirit can grasp them. (p. 141)
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