Satyajit Ray made Mahanagar … in Calcutta in 1963. It came to the London Film Festival in 1964, and we remembered it as lightweight Ray with an especially rich quota of humour. That is how it still seems, with the humour marvellously perceptive about the little things that are really the big things of life.

This conflict within the family between tradition and progress, between the old culture and the new enlightenment, that runs through all Ray's films, is after all a feature of the human condition not just in India but everywhere, and not just in our time but always. The need to overthrow things that conceivably still matter to us, and to taste the kind of knowledge that can sever us regretfully from our roots, recurs with each generation. What is so exciting about Ray's approach to this is that he actually shows us the ambivalence of people's attitudes...