The very bulk of Raven's writing might suggest what a reading of his novels confirms: they are uneven in quality, occasionally repetitious and forced, and sometimes no more than entertaining. Only a few of them exhibit all of Raven's appreciable gifts as a novelist working together in harmony. These flaws should not, however, be allowed to obscure the fact that Raven is a serious and interesting novelist, whose works have yet to receive, at least in North America, the attention they deserve. (p. 106)
The action of Raven's novels all takes place within a world of privilege, leisure, and power, and it is his principal intention in them to describe, scrutinize, and judge the men who inhabit this world. The settings of major scenes are often described by Raven in careful and loving detail…. Raven is very good at rendering these settings and the activities they encompass…. Sometimes the function of these descriptions is purely decorative, but more often they are linked to the central themes and conflicts of the novels in such a way as to deepen and enrich them. When setting and theme are fully united the former become images of order, tradition, and seemliness (a favorite word of Raven's), or of their perversion. (p. 107)
This is a free excerpt of 207 words. There are 2,836 words (approx.
9 pages at 300 words per page) in the full critical essay.
Read the rest of this Criticism with our Raven, Simon 1927–: Critical Essay by Kerry Mcsweeney Access Pass.