[In Kanthapura,] Raja Rao has abandoned his position as story teller, giving it over to his fictive female persona [Achakka]. I can think of few other instances in Third World fiction where a male novelist has done this. (p. 134)
With the exception of Afro-American fiction, I would have to say that in most Third World novels female characters play lesser roles than their male counterparts—no doubt in large part because Western (romantic) love is missing as a theme. If women are present in any of these books, they tend to be of incidental importance, functional objects in an otherwise masculine-oriented world….
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