Hair (musical) | Criticism

This literature criticism consists of approximately 3 pages of analysis & critique of Hair (musical).

Hair (musical) | Criticism

This literature criticism consists of approximately 3 pages of analysis & critique of Hair (musical).
This section contains 598 words
(approx. 2 pages at 300 words per page)
Buy the Critical Essay by William F. Buckley, Jr.

"This, folks, is the Psychedelic Stone Age," says Claude, in the Broadway musical production, Hair. Claude opens the show by declaring that "… I'm a genius genius / I believe in Gawd / And I believe that Gawd / Believes in Claude / That's me that's me." Of course, Claude doesn't believe in Gawd—nobody does in the cast of Hair, because they are far too sophisticated, provided one understands that paganism is sophistication….

[A] great deal of energy—and talent—go into the production of this psychedelic extravaganza. It serves up everything from the shock-counter: boys love boys, American flags are desecrated, all those tired old four-letter words are used, there is male and female nudity, a leavening of sacrilege. The music and action are engagingly energetic, without having that frenetic feel which, like when Jimmy Durante starts breaking the piano, is a snakebite substitute for entertainment. The obscenities fail somehow to...

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This section contains 598 words
(approx. 2 pages at 300 words per page)
Buy the Critical Essay by William F. Buckley, Jr.
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Critical Essay by William F. Buckley, Jr. from Gale. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.