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Jean Racine Critical Essay | Critical Essay by Maurice Baring

This literature criticism consists of approximately 19 pages of analysis & critique of Jean Racine.
This section contains 5,675 words
(approx. 19 pages at 300 words per page)
Purchase our Jean Racine 1639–1699 - Critical Essay by Maurice Baring

Critical Essay by Maurice Baring

SOURCE: "Racine," in Punch and Judy & Other Essays, Doubleday, Page & Company, 1924, pp. 145-73.

During the early twentieth century, Baring—along with G. K. Chesterton and Hilaire Belloc—was considered one of the most important Catholic apologists in England. He was proficient in a number of different genres, but is remembered mainly as a novelist. He also wrote several acclaimed books on Russian and French literature and introduced English readers to the works of Anton Chekhov, Ivan Turgenev, Leo Tolstoy, and other prominent Russian authors. In the following excerpt, Baring discursively examines several of Racine's dramas, particularly Bérénice, while addressing the question of Racine's stat ure as a dramatic poet.

Is Racine the greatest of French poets? I will not be so bold as to answer. There is Molière, and there is La Fontaine. Molière as a dramatist is more universal, and La Fontaine as a poet is more peculiar—by...
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This section contains 5,675 words
(approx. 19 pages at 300 words per page)
Purchase our Jean Racine 1639–1699 - Critical Essay by Maurice Baring
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Jean Racine 1639–1699 - Critical Essay by Maurice Baring from Literature Criticism Series. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.
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