Chaim Potok's previous novel, "My Name Is Asher Lev," was about a young painter torn between religion and art. His new novel ["In the Beginning"], about a gifted Bronx boy who becomes a Biblical scholar, suggests that the author has decided in favor of religion. The book has an ascetic, stoical, almost self-punishing tone, established with its first line, "All beginnings are hard," and sustained through the painful and sometimes repetitious actions of the story. From shortly after birth, in the nineteen-twenties, David Lurie is plagued by chronic sinus illnesses that prove to be emblematic of his growing up…. David's inner life, tortured with fears and bad dreams, is followed through the Depression, which nearly ruins his family; through the late thirties and forties, as the news from Europe grows more and more dreadful; and into his budding years as a scholar, when he learns that curiosity can be a dangerous enemy of faith. His story could be described as a Hebrew "Pilgrim's Progress" or as a spiritual Horatio Alger story, and so it can't be recommended to everyone. Its prose is simple and smooth, but a heavy earnestness pervades it all. (pp. 193-94)
A review of "In the Beginning," in The New Yorker © 1975 by The New Yorker Magazine, Inc.), Vol. LI, No. 39, November 17, 1975, pp. 193-94.
This is a free excerpt of 221 words. There are 226 words (approx.
1 page at 300 words per page) in the full critical essay.
Read the rest of this Criticism with our Potok, Chaim 1929–: Critical Essay by The New Yorker Access Pass.