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Critical Essay | Critical Essay by Brian Higgins and Hershel Parker

This literature criticism consists of approximately 46 pages of analysis & critique of Pierre.
This section contains 13,576 words
(approx. 46 pages at 300 words per page)
Purchase our Pierre, or, The Ambiguities - Critical Essay by Brian Higgins and Hershel Parker

Critical Essay by Brian Higgins and Hershel Parker

SOURCE: “The Flawed Grandeur of Melville's Pierre,” in New Perspectives on Melville, edited by Faith Pullin, Kent State University Press, 1978, pp. 162-96.

In the following essay, Higgins and Parker consider the various ways in which Pierre fails as a novel, at the same time proclaiming it the best psychological novel that had been written in English by the middle of the Nineteenth Century.

Pierre was not conceived as a lesser effort, a pot-boiler like Redburn, which Melville disparaged as something he wrote to buy tobacco with. Judging from his response to Hawthorne's praise of Moby-Dick in mid-November, 1851, Melville intended his next book to be as much grander than his last as the legendary Krakens are bigger than whales.1 Never a novelist or romancer within the ordinary definitions, Melville in Moby-Dick had attempted to convert the whaling narrative, a flourishing division of nautical literature, into a vehicle for the...
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This section contains 13,576 words
(approx. 46 pages at 300 words per page)
Purchase our Pierre, or, The Ambiguities - Critical Essay by Brian Higgins and Hershel Parker
Copyrights
Pierre, or, The Ambiguities - Critical Essay by Brian Higgins and Hershel Parker from Literature Criticism Series. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.
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