Ghost stories, especially those which concentrate on the relationship between a single person and his ghost, as in the work of Philippa Pearce, are anti-fatalist. The person and the event are singular and positive, but they are shadowed by their negatives, which are many—all the people we might have become, and did not; all the things we might have done, and did not. The richness of our lives and being is in the depth of their shading. This perception lies behind the title story of The Shadow Cage, Philippa Pearce's collection of ghost stories.
The making of identity is a continuous process which involves selection of one course and rejection of all others. Ghost stories show us how to escape from the finality of this choice, and from a fatalism which makes us suspect that there was actually no choice in the first place, so that the way we went was the only way we could ever have gone. They allow us to keep alive parallel possibilities forever, enriching the way that was chosen by making us experience other ways, and confirming through this expansion our current sense of ourselves. The present unity of the me-now points in the ghost story to the plurality of all those not-mes, not-now.
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