Elaine Pagels | Critical Review by Norman Cohn

This literature criticism consists of approximately 11 pages of analysis & critique of Elaine Pagels.
This section contains 3,253 words
(approx. 11 pages at 300 words per page)
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SOURCE: "Le Diable au Coeur," in The New York Review, Vol. XLII, No. 14, September 21, 1995, pp. 18-20.

In the review below, Cohn calls The Origin of Satan an important, original, and adventurous work.

Whereas in the nineteenth century Satan seldom attracted the attention of serious historians—Gustave Roskoff's two-volume Geschichte des Teufels (1869) stands almost alone—of late he has done so repeatedly, and to excellent effect. The collection of essays published in 1948 under the auspices of the French Carmelites, and entitled simply Satan, heralded what became in the 1970s and 1980s a flood of scholarly studies. The five-hundred-page Teufelsglaube by Herbert Haag and others (1974), Jeffrey Russell's trilogy, The Devil, Satan, Lucifer (1977–1984), Henry Ansgar Kelly's The Devil at Baptism, Bernard Teyssèdre's Naissance du Diable and Le Diable et l'Enfer (all 1985), Neil Forsyth's The Old Enemy: Satan and the Combat Myth (1987)&#x...

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This section contains 3,253 words
(approx. 11 pages at 300 words per page)
Buy the Critical Review by Norman Cohn
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Literature Criticism Series
Critical Review by Norman Cohn from Literature Criticism Series. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.
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