Page and Plant Critical Essay | Critical Essay by John Mendelsohn

Critical Essay by John Mendelsohn

[The] excesses of the [Jeff Beck Group's] Truth album (most notably its self-indulgence and restrictedness), are fully in evidence on Led Zeppelin's debut album [Led Zeppelin].

Jimmy Page, around whom the Zeppelin revolves, is, admittedly, an extraordinarily proficient blues guitarist and explorer of his instrument's electronic capabilities. Unfortunately, he is also a very limited producer and a writer of weak, unimaginative songs, and the Zeppelin album suffers from his having both produced it and written most of it (alone or in combination with his accomplices in the group). (pp. 6-7)

The album's most representative cut is "How Many More Times." Here a jazzy introduction gives way to a driving (albeit monotonous) guitar-dominated background for Plant's strained and unconvincing shouting (he may be as foppish as Rod Stewart, but he's nowhere near so exciting, especially in the higher registers). A fine Page solo then leads the band into what sounds like...
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