[Tillie Olsen] is, has been for decades, a feminist—unyielding and strong-minded, but never hysterical or shrill. Her essays reveal her to be brilliant, forceful and broadly educated….
At times she has allowed herself, in a confessional vein not unlike that of "I Stand Here Ironing," a moment of regret, if not self-pity: if only there had been more time, an easier life—hence more stories, novels, essays written…. Everything she has written has become almost immediately a classic—the short stories especially, but also her two essays, her comment on the life and writing of Rebecca Harding Davis…. She has been spared celebrity, but hers is a singular talent that will not let go of one; a talent that prompts tears, offers the artist's compassion and forgiveness, but makes plain how fierce the various struggles must continue to be. (p. 30)
Robert Coles, in The New Republic (reprinted by permission of The New Republic; © 1975 The New Republic, Inc.), December 6, 1975.
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