[Yonnondio] is a conventional story, as stories go, but the plot is in fact the least important element of the novel. This is not because it is incomplete (the book has only recently been recovered in a less than perfect form), but because the narrative is consumed by the effects of Miss Olsen's prose. A pattern of images is cast over the writing from the opening chapters, and there is a characteristic attention to description rather than analysis—it is a matter of dialogue rather than character, of situations rather than incidents. Yonnondio is a romantic novel, in the sense that Man and Nature are seen in a close and often destructive relationship, and its language becomes the space between them—instinctive with life, both mortal and at the same time capable of expressing certain permanent truths.
It is out of the mouths of children that this will come most naturally and there are some marvellously childish moments in this book. (pp. 767-68)
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Read the rest of this Criticism with our Olsen, Tillie 1913–: Critical Essay by Peter Ackroyd Access Pass.
