Mary Oliver uses her poems [in No Voyage] to recall in the most controlled tones the country scenes of her childhood and adolescence. She is gifted with a kind of emotional total recall, so that, within very strict limits, every shade of meaning is included. Judging from the poems about her adult life, she needs those about her earlier years to maintain her sense of balance between current uncertainties and isolation and the solidly recognizable joys, sorrows, and companionships of the past.
There is little that truly speaks out here. All is muted. All is held within the narrowest range of possible responses. The control is so strict and detailed that one can only conclude that Miss Oliver quite intentionally holds down both her own expression and the reader's response. If, indeed, this was her intention, she has succeeded almost too well. A more murmuring book has not come along in quite a while—a pleasant, whispering voice.
This is a free excerpt of 156 words. There are 361 words (approx.
1 page at 300 words per page) in the full critical essay.
Read the rest of this Criticism with our Oliver, Mary 1935–: Critical Essay by Robert H. Glauber Access Pass.
