It is in the poetry of New York poets like O'Hara and Ashbery that the painterly esthetic of Abstract Expressionism manifests itself in literary art, though Olson's criticism provides for us its literary rationale. (p. 440)
O'Hara's connection with the New York art scene dates from about 1950, when he first worked at the Museum of Modern Art and became acquainted with many of the most innovative painters in the New York area at the time. But I am concerned here less with the biographical relationships between O'Hara … and the New York painters than with the esthetic relationship between [his] poetry and the canvases of the New York School. The "casual insight" that O'Hara finds at the center of Jackson Pollock's achievement, for example, is a description as well of his own poetic style. Writing about Pollock, O'Hara finds
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