After having been led, by the explicitly formulated objections of some dissenters, to expect that I would dislike Odets' "Paradise Lost," I finally went to see it, and liked it enormously…. And though I had in the past complained against propagandists who compromised their cause by the depiction of people not worth saving, and had been led to believe that Odets transgressed on this score, I found on the contrary that the characters, for all their ills, possessed the ingredients of humanity necessary for making us sympathetic to their disasters. To me there was nothing arbitrary about the prophetic rebirth in Leo's final speech. And as I had witnessed, not pedestrian realism, but the idealizations of an expert stylist, I carried away something of the exhilaration that good art gives us when, by the ingratiations of style, it enables us to contemplate even abhorrent things with calmness.
The opportunity to examine the play in print has even heightened my admiration, by revealing the subtlety, complexity and depths of the internal adjustments. For all his conscious symbolism, the author has not merely pieced together a modern allegory. His work seems to embody ritualistic processes that he himself was not specifically concerned with….
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