Odets' motion picture career can be roughly divided into three periods: 1936–38, 1943–47, and 1955–61. His name finally appeared on only seven produced films, but he estimated the output of those years variously from fifteen or twenty scripts to "dozens." The Hollywood practice of script-doctoring explains the disparity. He told an interviewer in 1944 that though he had written many scripts, he had taken credit only for The General Died at Dawn. "'The others were rewritten … after I left town, by four or five hacks to each script,' he says, 'and rather than share credit for what they churned out between gin-rummy games, I decided to pass up fame and keep my self-respect.'" (p. 31)
[Few of Odets' films are] of more than routine interest, except The Story on Page One, which he originated and directed. It is unquestionably the purest finished product of any task Odets attempted in Hollywood. The entire work, from its conception as a story idea to its actual filming, may safely be credited to him.
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