SOURCE: "A Revaluation in the Light of the Absurd," in Sean O'Casey's Bridge of Vision: Four Essays on Structure and Perspective, University of Toronto Press, 1982, pp. 84-106.
In the following essay, Kleiman argues that O'Casey's plays express an absurdist view of life, but in a more humanistic tone than is registered in the works of Eugène Ionesco, Samuel Beckett, and other playwrights associated with the "Theater of the Absurd."
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