This is the interest of Windfalls—that by its juxtaposition of what is distinguished and what is not, the essential O'Casey and the incidental, it facilitates a definition of the former. (p. 167)
Mr. O'Casey is a master of knockabout in this very serious and honourable sense—that he discerns the principle of disintegration in even the most complacent solidities, and activates it to their explosion. This is the energy of his theatre, the triumph of the principle of knockabout in situation, in all its elements and on all its planes, from the furniture to the higher centres…. This impulse of material to escape and be consummate in its own knockabout is admirably expressed in the two "sketches" that conclude this volume, and especially in "The End of the Beginning," where the entire set comes to pieces and the chief character, in a final spasm of dislocation, leaves the scene by the chimney.
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